The horror of dehumanization, insensitivity, the reification of the other and naked violence goes through the History of Humanity.
Irma Grese was one of the main war criminals at the Bergen-Belsen Trial, held between September and December 1945. She was known for letting dogs jump on prey to devour them, killing inmates in cold blood, tortures children, sexual abuse and sadistic beatings with braided whips until the death of the victims.

A man in the daily life of his home confesses to his wife that he has killed a guy. What seems to be a single event, the product of an impulse, of a moment of madness, will become an everyday event. His wife, who does everything possible to keep him away from the crime, will be transformed into his main covert. The husband’s homicidal compulsion finds «family restraint» in his wife, but eventually everyone will fall into his murderous rage. Through a mood of darker color, the work takes us through the labyrinths of marriage and shows us how far the family is able to cover up the most terrible horrors. The language of the piece seems to be the compendium of the common places of couple relationships until the emptying of meaning, to nonsense as the only way of relating.

Written in 1952, it is based on the facts surrounding the witch trials in Salem, Massachusetts in 1692. Miller wrote about the event as an allegory of the McCarthyist repression of the 1950s.

An 80-year-old man who forgets his teeth in a subway. An old dog that follows people down the street. A pregnant woman who wants to be an airplane pilot. A lost penguin that swims from Argentina to New Zealand. A woman in white dress lifting the cars down the street. A new planet that is discovered in the sky. A man who falls on the street. A roller coaster. The fragility, the dreams, the ephemeral of the human facing the constant challenge of time. Interligated stories that sew a more than surprising story, where the existential meaning of life, the adventure of love, the challenges of coexistence show that the world can bring unlimited experiences, if you are willing to live them.

Candela Castro is an Argentine artist who, unable to cope with unexpected news, decides to escape to Egypt. On the plane flight she meets Pilar, who is traveling in search of a new reality … The two women belong to completely different worlds, or are they deeply united?

The camel’s kick is a sci-fi drama with comedy overtones.

«No one is going to convince you of what your eyes do not want to see, not a mirror, not a teacher, nor this violent comedy about obsession.»

Dramaturgy: Maxi Sarramone

Cast: Sandra Criolani, Lucas Lagré, Maxi Sarramone, Leticia Torres

Costumes: Company Terca

Photography: Maria DI Paola

Directing assistance: Paula Zelis

Art direction: Company Terca

Direction: Maxi Sarramone, Leticia Torres